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After a short preliminary period of status, the face fell into disuse in Britain and Austin’s later free font are fairly one-of-a-kind in style. Whose enterprise, the Monotype manufacturer, created a 1931 revival.
Although copies in the united states grew to become standard around the early twentieth century with artisan printers. Specifically standard for printing on high-quality paper.
Its history was once studied with the aid of the historian Stanley Morison within the late 1920s and early Thirties. Apart from the digitization of the Bell face by Truetype.
Morison praised Austin for his fine technical reward” and described his Bell typeface as “surpassing all earlier English and continental sort-slicing in precision and retaining] independence equally in opposition to Bodoni and Baskerville.
A replacement legitimate adaptation of the Austin face in optical sizes via Paul Barnes and others under the title of “Austin” is to be had bought by way of industrial form. As of 2017, it’s utilized by the day-to-day Telegraph amongst others.